Perhaps the matter of biological descent is a distraction: proponents of the patrimony argument would surely be undeterred if it turned out that the Nok sculptures were made by eunuchs. Unesco International Framework For The Protection Of The Cultural Heritage. It should be acknowledged. The result is that many fine Djenne-jeno terra cottas were dug up anyway in the 1980s, after the discoveries of the archaeologists Roderick and Susan McIntosh and their team were published. The Nigerian’s link to the Benin bronze, like mine, is a connection made in the imagination; but to say this isn’t to pronounce either of them unreal. Some people would still have avoided the rules. If you belong to that culture, such work is, in the suggestive shorthand, your cultural patrimony. Quite simply, the American story of how we developed our unique, enduring culture is a model for all us to emulate. Reading Response: “Whose Culture Is It, Anyway?” by Henry Louis Gates Jr. Posted on August 9, 2016 by admin Henry Louis Gates Jr. makes a cogent case for pluralism in the American cultural context. And UNESCO refused to authorize the shipments. They also… Furthermore, because cultural property has a value for all of us, we should make sure that those to whom it is returned are in a position to act as responsible trustees. By ELIZABETH A. REYES September 17, 2004 Premium content for subscribers. Posted on: March 30th, 2016 by Michael Gates. The British Daily Telegraph described it as “the museum, for museum it should be called, where the art treasures of the monarchy were stored.” The London Times’s Winwood Reade wrote that each of its rooms “was a perfect Old Curiosity Shop.” “Books in many languages,” he continued, “Bohemian glass, clocks, silver plate, old furniture, Persian rugs, Kidderminster carpets, pictures and engravings, numberless chests and coffers…. You might also show your respect for the culture it came from by holding on to it because you value it yourself. By ELIZABETH A. REYES September 17, 2004 Premium content for subscribers. The Italians? Beyond this standard definition, I believe that culture is a conglomeration of the things we adopt from our families, friends, peers, and other members of our community. Whose Culture Is It Anyway? A couple of decades later, Major Robert Stephenson Smyth Baden-Powell (yes, the founder of the Boy Scouts) was dispatched once more to Kumasi, this time to demand that the new king, Prempeh, submit to British rule. Why shouldn’t Spaniards be able to experience Viking craftsmanship? New York, London: W. W. Nortion & Company. But mightn’t all this have been better than what actually happened? The Nigerian government would not in fact exercise its power in this way. Of course, if you were interested in selling, it might provide the resources for a public museum to buy it from you (though the government of Nigeria probably thinks it has more pressing calls on its treasury). Whose Culture Is It, Anyway? ↩, The quotations from the Daily Telegraph, London Times, and New York Herald, as well as the information about Osei Bonsu, are all from Ivor Wilks, Asante in the Nineteenth Century: The Structure and Evolution of a Political Order (Cambridge University Press, 1975), pp. It wasn’t looting; it was collecting. New York, London: W. W. Nortion & Company. Best of The New York Review, plus books, events, and other items of interest, “There is no document of civilization,” Walter Benjamin maintained, in his most often-quoted line, “that is not at the same time a document of barbarism.” He was writing—some sixty-five years ago—with particular reference to the spoils of victory carried in a triumphal procession: “They are called cultural treasures,” he said, but they had origins he could not “contemplate without horror.”. Because they were removed from archaeological sites illegally, much of what we would most like to know about this culture—much that we could have found out had the sites been preserved by careful archaeology—may now never be known. And I’d rather that we negotiated not just the return of objects to the palace museum in Ghana, but a decent collection of art from around the world. 'Building a city depends on how people combine the traditional economic factors of land, labour and capital.' We will do well to recognize that iconoclasm is as much an expression of nationalism as idolatry: the human community needs to find ways to protect our common heritage from the iconoclasts, even when they are the masters of nations. ↩, Merryman, “Two Ways of Thinking About Cultural Property,” p. 852. A growing culture-keeping industry is happy to part adoptive parents from their money; one mom calls it “white women playing Chinese.” When cultural identity is essentialized and sold in this way, Jacobson suggests, it allows white parents to focus on “culture” rather than a child’s race. Upon reviewing an organizational strategy from an HR client recently, I came across an interesting finding. ... Summary. Whose Culture Is It Anyway? The people of Michelangelo’s native Caprese? ”, Kwame Anthony Appiah begins by pointing out that some of the museums of the world, particularly in the West, have large collections of artefacts and objects which were robbed from developing and poor countries. Export citation in Reference Manager format. “Belong” here is a metaphor, of course: I just mean that the Nok sculptures are of potential value to all human beings. He then raises a question: who owns these cultural patrimony and properties? makes the strongest case yet for an internationalist approach to the protection and ownership of ancient cultural heritage, and against its nationalization by modern states on political and ideological grounds. Indeed, a great deal of what people wish to protect as “cultural patrimony” was made before the modern system of nations came into being, by members of societies that no longer exist. The effect of the international regulations is to say that Nigerian cultural patrimony can be kept in Nigeria. It’s an equally sensible idea that, when an object is of cultural value, the government has a special obligation to preserve it. This item has been hidden. In the American academia of today the formation of curricula is largely dependent on the ethnic composition of the enrolled students. And there’s something odd, to my mind, about thinking of Hindu temple sculpture or Michelangelo’s and Raphael’s frescoes in the Vatican as the contribution of a people, rather than the contribution of the artists who made (and, if you like, the patrons who paid for) them. So much for being the cultural patrimony of humankind. Your email address will not be published. It’s a contribution to the cultural heritage of the world. I don't know.

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